humanity only learned to assume loveliness when Loveliness assumed the human form

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Naming the diorama


Solitude finds its most joyful expression
and the madrigal delights in the shut-eye collapse.
The thrust of turpentine
overwhelmed by the fragrance of wood nymph hair, the view of luxury
cascading before the slump of the velvet
ebony couch.
Content with the displacement of throes
The blurring arrives at the simultaneous point of completion, and the wind
Grows still. It ascends to a dead chill
Stabbing against the smooth of the skin.
And on the windowsill lined, rock salt
And new dust.
and below each vantage point,
a placard indicating its name.

I am the only catalyst of unrefined movement,
The only interlocutor aware of the reality-
There is an audience, an opera, and I hide, almost naked
Behind the heavy of the reddest drapes.

The destitution of this craver clothed
By the imperial darkness of the abandoned exhibition
You will give me a name. You will evoke in me a flame
And your other self will put it out.

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