untitled no. 52

humanity only learned to assume loveliness when Loveliness assumed the human form

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deconstruction

Take me back to your square room 
which looked like it could have been just about anyone’s attic. 
Your love did not know any specialties
you cared, and you colored. 
The smallest hours with you built my notion 
of that which is biggest, and that which will, 
everlastingly, 

render me best.  

Letting Elizabeth In

Her brine scent slathered all over my elbow and shoulder 
made me gag. 
A creature of crucial affection
every door I swear by will open for her. 
I will find a strand of perfect fur in my mouth 
every time I bite into a breakfast 
when she leaves for good. 

Your Shoulder

How distant then was the warm scent of your collar, your dark blue sweater 
from the hem of the lace dress
that swept around my ankles as I fled, 
a theatre burning in my heart. 

You would have loved it there. 
Delicate installations gracing the little labyrinth 
colossal frames of seduction mounted on wrought walls—
my vain, alluring Gethsemane.  
It felt gorgeous. The din isolated me, but I didn’t mind. 
True to you in nerve and leg and corner of eye
I wove your portrait onto the landscape 
marking every spectacle before which I stood
with a prayer for you. The blissful thread of my musings
veining from room to room, vista to vista,
from the private point of view to the dance.
I sewed café to cliff,
rabbit hole to basilica,
vapour to stone. 

How distant then was the emotive bend of your mouth 
from the incision I laboured to mend. 
As I fumbled to plaster with pigments the surfaces
shattered by my aching,
I wondered if you had already enjoyed an afternoon coffee. 

I did not think that the tableau included me. 
The modern sensual was eclipsed by the hushed flagellant;
at once I discarded the culture of celebrating wounds
just because they never heal. In that medley of an arena
where dissonance defines gold
I lamented the distance. 



decad(a)nce




Intoxicating: sophisticated- 
a dainty and supreme expression of violence 
the dark nuances and projections 
surfaced all at once. 
Demonstrating a novel understanding of the art
She danced like a final poem,
subaqueous
battered and betrayed.
A bath, a mother’s paintbrush,
an unhinged door
a pink bed spread, a music box, a once-beloved stuffed animal
abandoned, keeping in its furry clutch the discarded innocence.

Such a sweet 
subversive rendering of someone else’s madness
a coil of eloquence, a cascade of perfection-
her hair and the red curtain that fell loose 
and swept the vast stage.
Legions of dust pounced, creating a low cloud;
she, along with the rest of the dancers, leapt above it. 

Fragmented and immersed 
the audience aged with the story-
at the cusp of malevolent desire themselves
their legs ached to spring from their seats.
The rows of velvet cushions 
suddenly felt as spectacular and ceremonious
as the edges of buildings;
the polished rim of the high stage
the skyline, the horizon, the subalpine. 





i have only dreamt of running

Behind the bars sits a figure, blackened by the vibrations
of a recurring need to shelf books
and mend things. The itch
is not paid attention to. We were always told
that itches go away when we do not scratch them;
discomfort is alleviated when feelings are dampened.

During the strained hour, the inverse of a harsh three o’clock scorch,
the man sits before the beyond
and places his palms against the glass.
I am no more than a lizard, he thinks to himself
And whistles suddenly, an embarrassed and troubled afterthought,
to assure the empty room that he knows freedom.

Of course he knows song.

During the night when every household
silently sighs into the cold, suffused by the good and placid absence of clamor
Each room unfolds and unlaces,
Nooks of the secret life;
The hallway becomes an endless stretch of reliving,

Anyone’s footsteps absorbed by the certainty of the carpeting
The nighttime reveres the vitality
of the blanketing quiet.
And no rabid monologue, no tempestuous resonance, no despair
is too dark and irreconcilable
for the calm absolution encountered in this dimness.

His pacing quickens at irregular intervals.
Heavy and sodden with inane fantasies,
He wishes the world were watching.
This is noir, he whispers
The fairytale cannot be worn now.

The apex desire
Sincerely moved by the taunt of abandon.
He is a poet, a dynamic conscience,
Shepherding words and manning the virginal expanse of the white page,

But he only dreamt of running

past phase



H Y S T E R I C A L

milkprose



I am a delicate reader and therefore know nothing.
 Among other things, we have forgotten what it means to be at war.
The immune collective
Scatters in the wake of romanticized bloodshed,
The rising phoenix
Does not glow,
And the divine white bed
Smells of grass and vegetation, moments after a rainstorm.

The true battle brews in the tension
Between sovereignty and ordinary compassion.

A budding metamorphosis
My markings pulse, and pulse steadily-
The childhood and the dirty new age

Cling
The orchestra is washing over
We were never taught to swim without the masks.

Defeated and dark
There’s a stain now, on the bed 
It looks as if a chair sat on it



Naming the diorama


Solitude finds its most joyful expression
and the madrigal delights in the shut-eye collapse.
The thrust of turpentine
overwhelmed by the fragrance of wood nymph hair, the view of luxury
cascading before the slump of the velvet
ebony couch.
Content with the displacement of throes
The blurring arrives at the simultaneous point of completion, and the wind
Grows still. It ascends to a dead chill
Stabbing against the smooth of the skin.
And on the windowsill lined, rock salt
And new dust.
and below each vantage point,
a placard indicating its name.

I am the only catalyst of unrefined movement,
The only interlocutor aware of the reality-
There is an audience, an opera, and I hide, almost naked
Behind the heavy of the reddest drapes.

The destitution of this craver clothed
By the imperial darkness of the abandoned exhibition
You will give me a name. You will evoke in me a flame
And your other self will put it out.

Flagellant


Again with the claws. Self-inflicted
this tongue, these fingers, this damage
the whisper of the battle horse. The precise instruments
of divinity lodged, sinking into a socket

pierce and flaw and want.
The tuned black fibers framing the sensual eye
fold into a sleep,
the dead trees darkening
into silhouettes, raven sketches, before
the setting of a scathed sun.

Scars
the mare does not know,
her high bone grazed by lashes,
she does not despair.
Corrupt my learnt dance with a selfish word
And you will witness a resolve. Execution
Upon execution
This hand will not fail to deliver.

with a stained glass sphere warm in my palm, I withdraw
Into the thinking
that with each new vein of exploit
will come a rose.
There is nothing like the sunken sadness
Of having been snatched out of a scene

Comparable to the most obscure expression of paradise.